The medium of painting let me create visions like no other. In there I can really deform the world around me and reinterpretate every structure that society tried to drill me while I was growing up.
In my painting works I tend to use the colour, only while I want to attributte it with symbolical meaning.
The matter of my observations as always is the society. The world we live in is the resulant of the people we circle around.
My first steps on the stairs of arts mysteries were taken by overmastering only such simple tools as the paintbrush and the language. Every composition I created was kind of a statement. Built up on a linguistic pillar, taken into the visual outcome.
Collage of symbols I operate with, refer to the indispensable in the process of self advance, tool which is metaphor. Based on the long path of philosophical thought on metaphor, focused on modern current. I decided to percive as metaphor every human expression implicating speculative thought. Result of this conclusion made me measuring my paintings by the criterion of speculative thoughts it implies.
The second pillar carrying my works is the semantics, which tends to be connected in image to the expression. I decided to enrich my syntethic sceneries with subtle touch of atmosphere, that cause viewer to frame closer interpretations to the ones I assumed.
The medium of painting let me create visions like no other. In there I can really deform the world around me and reinterpretate every structure that society tried to drill me while I was growing up.
In my painting works I tend to use the colour, only while I want to attributte it with symbolical meaning.
The matter of my observations as always is the society. The world we live in is the resulant of the people we circle around.
My first steps on the stairs of arts mysteries were taken by overmastering only such simple tools as the paintbrush and the language. Every composition I created was kind of a statement. Built up on a linguistic pillar, taken into the visual outcome.
Collage of symbols I operate with, refer to the indispensable in the process of self advance, tool which is metaphor. Based on the long path of philosophical thought on metaphor, focused on modern current, cognized in the works of such people as Max Black, Richard Rorty, Mary Hesse, Hannah Arendt and George Lakeoff. I decided to percive as metaphor every human expression implicating speculative thought. Result of this conclusion made me measuring my paintings by the criterion of speculative thoughts it implies.
The second pillar carrying the message behind my works is the semantics, which tends to be connected in image with the expression. I decided to enrich my syntethic sceneries with subtle touch of atmosphere, that cause viewer to frame closer interpretations to the ones I assumed.